RIP Richie Havens, thank you!

A lot of bad news flowing around these days and the news about Richie Havens’ death can be added to the black list.

http://en.wikipedia.org/wiki/Richie_Havens

As a musician, I have been greatly influenced by his guitar playing style and the wonderful sound of his music.  His voice was resonant in a profound way and his energy was captivating.  I was fortunate to see him in concert many times over the years, and I am grateful for those memories.  His albums are special, particularly his earliest ones like “Mixed Bag” and others in the late 60s and early 70s.  I always imagined that I could produce a TV concert that would team Richie Havens with Joni Mitchell but I guess that will have to wait.  I encourage everyone to  listen to his popular hits such as “High Flyin’ Bird” or “Here Comes the Sun” and soooooo many others.  ”Sandy” is probably my most favorite of his tunes, a great love song, although it wasn’t one of his biggest hits.

http://www.youtube.com/watch?v=mP7JuoiwsVg

Solitary Man

Recently heard this song in a shopping mall as if wafted meaningfully through meaningless commercial corridors.  Since then I haven’t gotten it out of my head, recalling its various versions by Neil Diamond, Johnny Cash and others.  Until I find x (a woman, love, etc) then I’ll just stay as I am, a Solitary Man…I wonder if I am on the verge of a Neil Diamond appreciation phase?

Here is a Johnny Cash rendition of this great song.  Enjoy!

 

The repression of dissent: The Occupy movement was (temporarily?) quashed by a coordinated BLOB of Police, FBI, and Banks

Thanks to my friend, Myles Cummings, now in the UK, who steered me to an interesting article with very ominous overtones about the FBI coordination with banks for the crackdown upon the Occupy Movement activities.

SEE: http://www.guardian.co.uk/commentisfree/2012/dec/29/fbi-coordinated-crackdown-occupy

I have written in earlier blog entries on this site about my philosophical support for the Occupy movement and its objectives, and about my distrust/disdain concerning the behavior of banks in the USA, but this article brings the conflict I feel to an entirely new level, and shows that we in the USA have reached an all time low point.

But wait, there’s more!

In doing further inquiry about the allegations and analysis set forth in the article, I found a different article on this topic by The Partnership for Civil Justice Fund

SEE: http://www.justiceonline.org/commentary/fbi-files-ows.html

The Partnership article reinforces the Guardian article by describing a terrifying and coordinated network of para-police bodies intending to suppress Occupy dissent.  It describes how the Department of Homeland Security, FBI, police, regional fusion center (a cocktail of police-governmental forces), and private-sector activity were completely merged into one another for the purpose of suppressing and eliminating dissent.

NOTE: Please re-read that sentence and ponder its significance.

An amorphous blob of police and investigative powers became a monstrous whole, one entity, one monstrous force bearing a single name, the Domestic Security Alliance Council–and this merged entity had one centrally planned, locally executed mission.  Further, the Partnership article cites documents that show the cops and DHS working for and with BANKS to target, arrest, and politically disable peaceful American citizens.

For some horrible reason this coalition of police powers, investigative powers, and BANKS does not surprise me but it surely does reinforce my concerns that we have entered a new era of fascist repression and guarantees that we will face a lot of sadness in the future.

Banks are not our friend.  I see banks springing up on every corner of Everywhere, USA.  I am again reminded of many impoverished countries where I have lived or visited, with banks on every one of their street corners too.  The more banks, the greater the poverty?  It seems illogical but somehow it is becoming true.  Everyone knew that already but it’s worth repeating.   But when Banks have the forces of a police state working for them, under their direction in suppressing dissent, then WOW do we have a problem!  That’s not a question, it’s a statement.

Aside from that, Happy New Year!

Anthony Collins, Jr., PVHS Football 2012, and the best highlight reel EVER!

Here is the highlight reel of my son’s 2012 season as a player on the PVHS Football Team.  I think it is the best highlight reel I have ever seen–sure, I’m biased but take a look for yourself.  Somehow, a little magic circle appears to indicate where Anthony is on the field–wearing #2

In memory of my friend, Bob Morgan

images-1I had a dream last night that was full of music, specifically, Saturday Night Waltz–from Aaron Copeland’s RODEO.   To my ears, this is a melodic dance from a timeless heavenly valley.   I have loved that piece since I was a 3-year old boy.  I don[‘t recall the story of the dream but I was clear about the music in my head.

The melody shaped my morning and was in my heart and ears as I started my day–then a miraculous and surprising thing happened that elevated me  from the mundane to the sublime.  I got in my car and started down the road, and as I drove I turned on KUSC and whamm0—-guess what was just starting?  SURPRISE–It was Leonard Bernstein, NY Phil, and Copeland’s RODEO!  It was a cosmic convergence of music, dream, and my emotional state of mind.  It was a rainy morning with grey skies, but hearing that piece after just dreaming about it was invigorating.  I was prepared for flight to celestial heights as the entire RODEO was heard but I never imagined that it would be so conveniently available.

When the Saturday Night Waltz started, I surprised myself and found a sudden burst of anxious happiness and whimpering sadness at the same time.  The melody was soaring and I could imagine Bernstein pulling every fibre of human expression from his musicians.

Then, while the music played, I started missing my good friend, RL Bob Morgan.   He died last July and I have missed him ever since, but this time the loss hit me all of a sudden and really packed a punch.

images

I missed him because of his caring heart for others, his vast knowledge about most everything, his wit, his true ability to have conversation upon conversation over the years that resonated with meaning, and his sensibilities in music along with everything else.  I recall so many times we would talk–in my van while cruising down Baja Hwy 1, in a hot springs bath in Saline Valley, in so many other situations since we met in 1957.  He and I were about 3-4 years old when we discovered Copeland’s RODEO in his collection of 78s, along with Peter and the Wolf, Mozart Symph #40, Tchaikovsky’s Nutcracker Suite, Burl Ives folk singing, and so many others.  Bob knew a lot.  He would think and feel something deeply whenever he did what he did.

For me, Copeland’s Saturday Night Waltz has held a mysterious and lasting grip on my psyche and in that cold rainy morning in the car and with the radio blasting it was able to open a flood gate of memories and emotions for me.  It made me cry inside as a child, and it made me sob yesterday morning out loud without concern of who would notice me.  I kept my ears open as I wept.  In my heart and in my throat I cried out loud I cried like a demolished spirit.  I was happy and sad at the same time.  I missed Bob at that moment and for some reason I had a conflicting and mixed sense of hopelessless, aesthetic purity, and a true sense of loss about life in general.  In hindsight, it’s all a good thing and I am glad that I am able to feel something and remember something that elevates me.

What a great piece of music it is, and thank you Aaron Copeland for giving that music to us.

Skeeters or Snakes?: You have to pick your poison

http://news.yahoo.com/venomous-snakes-harbor-deadly-brain-swelling-virus-210958870.html

Fascinating story, possible horrible.  Is the potential for mosquito mayhem a further ramification of global warming?  As I understand the problem, an increase in mosquitos is the result of the winter cold snap not being sufficient to wipe our last year’s crop of the critters, so they keep getting bigger and more problematic for us.  

This article is useful–it confirms my anxiety about being confronted by poisonous snakes while walking in the jungle.  Now I can rest assured that my anxiety and trepidation of encountering that couple of cobras around the rushing creek, or that rattler in the Mohave, or others—these were based upon logic and science, not my own fear and insecurity!  It was ancient voices speaking intuitively with me, hooray!  

The demonization of mosquitos is useful too–confirming and consistent with my theory that it’s the little critters that will actually bring degrees of ruination to jungle visitors, not the big stuff.  It’ll be the little devil that you never knew was there that brings you down, not the giant wild boar or 11 foot mamba or shimmering 800 pound Siberian tiger.  

I am reminded to write about my days and nights after visitation from a blood sucking cockroach in Mindanao.  

Anyway, vitamin B-11 (or is B-1?) as a form of repellant against mosquitos is effective as I recall after my own tests in Missouri and Iowa during the Summer 1979.  It’s good, only if you can tolerate the odor that it generates from your pores.  The main point is to obstruct, deter, and repel mosquitos from landing upon one’s bloody yummy-ness because there is no known antidote to malaria, dengue, and whatever else.  Snakes hate mosquitos too, so they ar ranked #1 as unsympathetic antagonists.

Anthony Collins, Jr.: Athlete, scholar, musician, and gentleman

I find so much joy these days when I go out and watch my kids play sports–all three of them are involved in an array of sports—baseball, soccer, softball, rugby, football, basketball.

Here is a photo taken last week of my oldest son, Anthony Jr., who is a running back on the PVHS Varsity football team.  They played against Compton-Rancho Dominquez High.  Every time Anthony Jr. carried the ball he gained 20-30-40 yards!

Anthony is #2 and is carrying the football.  Watch out this week when PVHS plays Leuzinger High in our first intra-league game this year.

Alan Dershowitz: My hero, Alan Allen and Woody Dershowitz

This link has three interview clips with one of my heroes, Alan Dershowitz, a great thinker, scholar, and advocate for justice.

LINK:

http://news.yahoo.com/blogs/newsmakers/legal-system-treats-celebs-differently–dershowitz-says.html

It is well worth the time to watch the interview(s).

–Woody Dershowitz?

–Alan Allen?

My fascination with Dershowitz is enhanced by the fact that Dershowitz’s voice reminds me so much of Woody Allen’s voice, plus there is a certain degree of resemblance in their looks.   I hope that Woody uses Alan in a film one day…

The resemblance gives Woody and air and undercurrent of scholarly brilliance in his humor and writing, and gives Dershowitz an edge and potential for being hysterically funny in the midst of a brilliant analysis.

The become a sort of a hydra-headed comic lawyer beast that overwhelms opponents with words and ideas–humorous and  true at the same time.

Guro Dan Inosanto: PE Teacher at Malaga Cove School

I was lucky as a young person at Malaga Cove intermediate school.

I was lucky because I had GURO Dan Inasanto was my PE teacher in grades 6, 7, and 8.

Guro Dan Insosanto’s website is: http://www.inosanto.com

As our teacher and role model, he was authentic and awe-inspiring.  I believe this could be said about all of us, even those who detested PE in all its forms.  This was in the late 1960s, during the high water years of the Vietnam war.  Long hair and rock&roll etc   It was a convergence of opposites–Dan was an ex-Marine (?) during the Korean War.  At Malaga Cove school in the 1960s, GURO Dan was coming face to face with the patty-cakes and smart-alicks from PVE.   Thankfully, that cosmic oddity happened.

Having Mr, I as my PE teacher was an excellent experience that I recall fondly, although not without memories of pain.  It became a ritual test of defiance again da’Man for few wisecrackers in each class to give Mr. I some lippy nonsense so that  you could get chased and popped, or just popped without the chase, stung badly by his bamboo baton.  He was incredibly strong and quick, and the stick was a cluster of long bamboo strips tied together by twine and encased within a canvas cover.  It hurt but the message was clear, “you little punk, you just came up against the force of righteousness and your butt now hurts.”  His use of the baton was presumably legal.  He used it liberally, but only when necessary, for disciplinary reconciliation…those were the days when it was OK to whack an unruly student in the butt, legs, arms, or backside and not get sued.

The boys at Malaga Cove in PE saw him as a mythological larger than life super-being–after all, he was in movies as a stuntman, he was a martial arts trailblazer on the Green Hornet TV series, he was a Kali champion and legend even in those days, and he had a good sense of humor–although we knew he was leading us to higher levels.  All of that meant he was a great teacher for us in those years.

 

 

Dan Inosanto (L) with Bruce Lee (R)

 

 

 

 

This is a poem composed by Inosanto-san that I found on his website.

We are all climbing different paths through the mountain of life,and we have all experienced much hardship and strife.

There are many paths through the mountain of life, and some climbs can be felt like the point of a knife.

Some paths are short and others are long, who can say which path is right or wrong?

The beauty of truth is that each path has its own song,

and if you listen closely you will find where you belong.

So climb your own path true and strong,

but respect all other truths for your way for them could be wrong. 

- Dan Inosanto

TO: Sven Herold (www.svenherold.com)

Dear Sven:

I know this is an unusual way to initiate contact, but I would like to work with you at Shell.  Not sure what more to do aside from applying online, but that means HR scrutiny.  It is my opinion that the job, Exec Producer/Creative Director is far away from the mainstream categories for employment at Shell.  HR analysts do not usually have the authority or knowledge to deal with and career trajectories have are unconventional pathways, like mine.  I could be highly effective in a role with Shell, as Exec Producer, Creative Director or both.  Please write to me so I can show you what I can bring to the table, for the benefit of Shell.

Thanks,

Anthony

anthonycollinsfilm@yahoo.com

The publication of my first book!

I am very happy that my doctoral dissertation is going to be published and internationally distributed by LPO Lambert (Germany).  My plan now is to construct at least 4-5 shorter books from the various sections of the dissertation, examining topics such as creativity, filmmaking as a systematic process of work, grounded theory as a process for filmmaking, auto-ethnographic writing as a form of scholarly work, and more.  The dissertation was certainly “macro” or “meta” in its approach to the topic.  Now I can do new scholarly writing that is reductive in nature, in contrast to additive.

Here is the cover of the book:

 

KYRGYZ REPUBLIC and The 8th Kazan International Festival of Muslim Cinema

I am doing research about the Kyrgyz Republic, its urban center in Biskek, the American University of Central Asia in Bishkek (AUCA), and as much about everything else as I can learn.

I am applying for a Fulbright Core Grant for teaching and research activities in Film/Digital Media Production at AUCA.

In doing my research I am learning about the scope and nature of Kyrgyz cinema.

I am happy to learn there is an established online presence about the film industry in Kyrgyz, with a nice website for marketing the country’s actors, production companies, directors and technical support professionals, and a wide range of exterior locations.  .

KYRGYZ CINEMA: http://www.kyrgyzcinema.com

There was mention of Kyrgyz films that were included in a “Festival of Muslim Cinema” in Kazan.  Very enticing to wonder about the films being shown.  I have so many favorite films from Iran and other places that are known for adherence to “Islamic” or “Muslim” values in cinematic art.  I wish that we could more easily see these films in the USA—suggestions?

FESTIVAL: http://en.kazan-mfmk.com/archives/191#more-191

On the map below you can see the basic relationship in distance between Moscow, Kazan, and Bishkek.  I note that the city of Kazan is located along the Volga River.   Just the sound of that river’s name–Volga–gives me a case of wanderlust and itchy foot.  I start thinking of the deepest melodies by Russian master composers like Rimsky-Korsakov, Tchaikovsky, and all the rest.  But my main topic is Kyrgyz and Bishkek and the American University of Central Asia, not Tatarstan and Kazan.  One thing leads to another…

I am looking for collaborative projects (video, film, photo, other) for production in and around Kyrgyz, with a base of operations in Bishkek.  Folk Music?  Pastoral or nomadic communities in transition?  From what images I have seen there is astonishing beauty and it looks like a healthy place in the mountains with hot and cold springs of vary types, spas, and good aid.  I am trying to develop an understanding of the history, geography, and cultural diversity.  Feel free to share your ideas with me.

Red-back black widow spiders in Sharjah (UAE) and in Palos Verdes Estates, California (USA)

I will dedicate an entire section area to the category of spiders.  This is the first entry, in the category of spiders but it is not day #1 of the story.  I will write more on this topic.  I intend to write many stories about spiders and myself, the relationship of spiders with me and vice versa.  Stories that are emerging from my memory.

Tonight, I am thinking of the Red-back black widow spiders in Sharjah and in Palos Verdes Estates.

Today, at lunchtime, my daughter and I found one in the kitchen cupboard.  The one we found was identical in appearance with those shown below in these photographs, at least to my laymen’s eye:

In these photos, one of the three specimens is a female.  The female in one of these photos is a unique female variety because it does not have the red dot(s).  The other two specimens are male.  I applaud your scholarship if you figure out the differences in some visual way, if there any-I am not informed about spiders from any scientific way, and I am not a spider expert in any sense, but I recall that the female bite is much worse for humans than the male bite- Does the male bite?

This is the second one we have found recently, but the first one that was inside our house.  The main point is that we found one of these critters in a popular place in our kitchen where we definitely can not tolerate lethal spiders.  I’ll try to deconstruct my apparent pathological anxiety about poisonous forms of life that co-exist in my midst at some other time.

We found the spider in the cupboard above the sink.  This area is in constant use by the whole family all day and night. My daughter, Kacie, was the first to encounter it as she put cups away in the cupboard.  She screamed and jumped backwards.  I can not figure what this male would be seeking in our cupboard.  Solace? Alone time?  A bachelor pad? Hunting grounds for ?, how did it reach the cupboard—of course this is combined with all the rest of the concern about my youngest son, or my other family members, getting popped by one on the fingertip.  It’s says something about my inherent limits as a embracing tolerator of all forms of life, but the lethal spider expunges my hospitality.  Yes, I am larger than most spiders, probably all spiders, so what do I have to fear, but…well you know what I mean, they are deadly spiders.  More later…

Poetry and fragrances in ol’ Araby

POETRY OF THE TALIBAN

I know that the taliban are not necessarily Arabs, but this article is about a new book.  http://www.latimes.com/news/nationworld/world/la-fg-taliban-poetry-20120708,0,6390480.story

Surely an interesting read.

Salam

Verses of the Holy Q’uran are supremely poetic, but is it credible to argue that the  common taliban warriors can express themselves in a poetic way?  hmm, maybe.

I’ll let other scholars debate the research and the artistic value of poetic writings by taliban warriors, but I do like the courage and creativity that was required for those who pursued this project—living and working in Kandahar, Afghanistan.

But, recalling the fragrances and olfactory dimension of life in the Islamic world—I recall with profound sensorial affection that flowers, wood, and saps–the sources of the wonderful fragrances, particularly in the Arab-Islamic world, and throughout many other parts of Asia–were the prize of my life in those years and in those places.

ROSE OIL                                                                                                                   FRAGRANCE VENDOR in Dubai, or maybe it was Cairo.

I am particularly fond of the fragrant smoke and oils from wood chips.  This is a great article that provides an overview for understanding about “aoud.”

http://www.saudiaramcoworld.com/issue/200006/the.hidden.history.of.scented.wood.htm

Poetry and fragrances? am I crazy, what’s the connection?  Well, there is so much that is beautiful, timelessly universal, and worthy of attention–yet unrecognized or demonized or unknown in the West—residing in the sinewy fibre of Islamic culture(s), throughout its massive geographical spread.

Unfortunately, it seems that so many American folks (the untravelled majority in the USA) do not know much about people and daily life in the Islamic world.  Poetry and fragrances are good tools for the West to use in the effort of humanizing and attaching greater empirical significance to the intrinsic wealth within the Islamic world’s vast area, with its ecological and cultural diversity, social complexity, and rich histories.   It is not a shocking secret or a newsworthy headline, but it is a fact, at least in qualitative terms that Americans know or care little about the rest of the world, particularly those uppity foreign zones of conflict.    Would you agree that a majority of Americans are pridefully myopic about world geography, history, and sociology?  There might not be overt or articulated acknowledgement by the perpetrators of disinterest that this fact is true, so all I can do is postulate here that the possibility is true.  The mainstream mantra that can easily be heard might be, “Why should I care about X (any place away from the center) when I am in the best place there is (some vague notion of America)?” would be the mainstream mantra.  The other who lives other there is far away from me and us right here because they are far and I am here–that is the tautology and logic that I observe.

After more 20 years of residence, travel, and work in various parts of the Arabian peninsula and East Africa, and after 20 years of living and experiencing the cultures on the island of Mindanao, Philippines (where Arabic can be heard), and of careful and patient travel in other parts of south and southeast Asia—in contrast to my life and experiences in the USA–I observe  a mindset clouded by arrogant disregard, misunderstanding, and non-awareness, on both sides.

Sadly, the truth might be that a more defiant and intentional barrier exists here in the West, more so than in the East, presumably constructed to protect the OTHER from becoming human, logical, coherent, and near.

         

FRAGRANT FOREST

The poetic inclinations of the Arabic language, and in the other ancient languages found in the western half of Asia such as Pashtun, Urdu, Darii, and so many others are an unrecognized “good” not usually mentioned or cared about by folks in the West.  Also, to my ears the passion of chants in Binukid and the mountain peoples throughout Australasia sure do sound and present themselves to me as a aural reminder of ancient Vedic/Aryan epics.

Today, I am sure the gaps, ignorances, arrogance, and the rest of the bad things are equitably distributed to the fault of both sides; but the underlying and intentional poetic heard high and low throughout the Arabian peninsula and across much of south and southeast Asia, in many ancient languages, resonates for me like a lingering and valiant siren in my ears and memory.

I believe that research and the book about poetry by “taliban” is a great starting point for mutual understanding, more meaningful dialogue, and peace.

Why are Job-creating Republicans so upset about Obamacare?

I have been trying to figure out, with some precision and specificity—Why so many Republican-Conservative-”job-creators” are so bug-eyed and frothing at the mouth about Affordable Health Care?  The months and years of simmering disdain have spiked upwards to a boiling point in the last 24 hours, exacerbated by the Supreme Court’s recent ruling that upheld the ACA’s constitutionality—but, what is the root of the anger against it?

I notice a lot of the outrage is rooted in the short-sighted notion that the government does not (and should not) have a moral, legal, or ethical duty to help common less-fortunate folks who cannot afford health insurance (or any other kinds of support?).  The logic of this position goes something like this–the government doesn’t help me (or you) to purchase a new laptop, a health club membership, or a trip to Palm Springs so why should the government be involved in helping folks to get medical coverage?   The job-creator believes that he/she worked his/her butt off to get what he/she have, so why should he/she help you, I, or anyone else?  Why should anyone care whether or not you or I have health insurance, or why should you care whether or not that I do or don’t?   It’s every man for himself in this cruel world, and to hell with this liberal mush of helping others–in their view.

I remember walking down a street late one night in the city of Copenhagen, Denmark.  It was probably in the late 1980s or early 1990s.  The storefronts were closed, it was cold, and the rain was falling.  I noticed many individuals and small groups of people huddled together under the storefront awnings as I walked down the street.  I suspected that many of these folks were homeless, using drugs, drinking out of a bottle, and were generally not doing so well.  I started worrying for my safety, reminded of similar places in New York City, LA, and elsewhere back home.  I imagined that some addict would approach me, try to rob me, and then slice me in the face.  I could see myself as some EU headline, “Lost and dumb American gets head thumped by heroin addicts.”  I darted into a small liquor store, escaping the rain, coldness, and my fear.  I asked the shopkeeper—”I notice a lot of homeless folks on the street and I wonder about my safety walking around here?”  He told me, “sure, those are drug addict lunatics but they are all registered as such with the government.  They get all the drugs they want and so they don’t need or want to rob you to get your $5.  They are content and will leave you alone.”  This was an eye-opening moment for me as I compared the reasonable fear and true level of terror that one can feel on some streets back home in similar situations, and the ramifications of social responsibility (or conversely, social irresponsibility).

From that walk on the street in Denmark, I recognized and integrated the facts that

1) taxes are high in Denmark

2) Danes get what they pay for because they get to walk the streets and not be in constant fear

3) In the USA, if one doesn’t want to pay for this benefit (taxes and other “help”) then your hometown is at risk of descending into lower depths, because we get what we pay for (or vice versa).

The theoretical commodification of health insurance extends to the point, articulated by Ronald Reagan, that poor people are poor because they don’t work hard enough to be rich; and conversely, rich people are rich because they work harder than those who are poor.  If poor folks can’t afford a commodity, any commodity–in this case, the commodity of health insurance–then they shouldn’t get it, period.  Worse yet, the government should NEVER be involved in the free market, in their view, so the compulsion by the government that folks be insured is immoral and horrible.  This is yet-another tautological quagmire that seems to pervade the job-creator’s mindset.  In this view, the market should decide how all commodities fare in the marketplace, including the commodity of health insurance.   If you can’t afford health insurance or don’t want it, then one should not be forced to buy it.  The folks that spout that position are likely to be well-protected with their own health insurance coverage and probably have never been without health insurance coverage for one day in their life, plus they apparently don’t see the systemic implications that are emerging in our society because the have-nots have much less than the haves and the haves don’t notice or care.  It’s a clear case of “I’m in the boat so let’s get going, Jack” and to hell with those who are not as fortunate as others who are fortunate.

For me and for us, Hooray for Affordable Health Care!

James Carville

In the past I didn’t understand Carville’s approach or persona; but in the last few years I have grown to greatly respect and enjoy his writing and sense of humor.  It’s a good read.

http://www.cnn.com/2012/06/14/opinion/carville-middle-class/index.html

The USA has formed a dangerously inequitable gap between the haves and the have nots, where the have nots are beginning to blame and attack each other instead of seeing the real problems and their causes.

Bela Bartok: Romanian Dances

There are many great and near-great performances of Bartok’s Romanian Dances, usually performed on violin or viola or cello with piano, or for piano solo too.  There is an orchestral version too.

I love this music and have played the viola and the violin versions myself with a lot of pleasure and some degree of success.

I have heard my friend, John Walz, the great cellist in Los Angeles, perform this piece on cello with guitarist, James Smith, in a 1983 recording.

However, I found this recording recently and found it unique in its stylistic approach–Gilles Apap on the violin with a small ensemble of Spanish guitar and upright bass.  Apap really bends the tempo and adds a country-load of glissandos and other effects, but all in all it’s a nice peformance.  I think that the upright bass really adds so much to this music and the ensemble’s performance.  Makes me want to wander the Romanian woods as a gypsy, looking for old world village life, ferocious and delirious music, and good yogurt.  Enjoy!

While you are in the mood for some old-world dance music from eastern Europe, try this one too (a short documentary about the music and musicians of Romania):

Alan Dershowitz: The antidote to circular logic

I am a big admirer of Alan Dershowitz, the renowned Harvard Professor, legal scholar, and advocate for justice.  F. Lee Bailey is right up there near the top of the list for the best, but Prof. Dershowitz gets my vote for #1.

Through the years he has (for me) represented the highest levels of critical thinking.  He has profound abilities to articulate  deep analysis of ideas, legal concepts, and notions of fairness.  Sure, I admit that I am a contrarian, deconstructionist, bleeding heart for the accused and the downtrodden, a lifelong liberal by nature, and a lover of the promise for due process under the law, but Prof. Dershowitz is for me a scholar and advocate that has opened my eyes, ears, and mind up to the less-than-obvious–but supremely important sides–to what might seem to be slam-dunk conclusion in many cases.  I recognize that he has riled up the feathers of many, some of whom threaten, castigate, and demean his character–but no one can credibly deny that he is a brilliant thinker with an important voice to be heard.   My opinion is that his critics are pale in the light of his genius, and so they shrink to name-calling, illogic, and mean-spirited threats.

I was reading about and watching a recent CNN interview with Prof. Dershowitz about the Sandusky case.

http://rss.cnn.com/~r/rss/cnn_freevideo/~3/XE4FOUFTPrs/

He described Sandusky’s defense team as “inept.”  I would really like to know the details of what he thinks could be (or could have been) done differently (and better?) by the Sandusky defense.  In my cursory following of the case, there is something seems fishy about the undercurrent of the investigation, the testimony, and the trial process.  I keep thinking of the McMartin case and how the accusers/prosecution ended up in a tautological quagmire and defeat.

I don’t want to defend Sandusky, especially after his guilty verdict last night (June 22),  but I do trust the skepticism of Prof. Dershowitz to at least question what has been going on.  If there is an appeal by Sandusky, I hope that Dershowitz will step in although I don’t know if that is in the cards.

Later, I found some other articles about the Zimmerman-Trayvon Martin case, especially the absurd threats by Prosecutor Corey to “sue” Dershowitz, Harvard, and anyone else who questions her approach and tactics.  Unlike the Sandusky example, his thoughts about the Corey-Zimmerman-Martin-Harvard exchange are crystal clear, right, and proper–as expressed in the link below-provided.   He writes clearly and succinctly.  Long live Dershowitz!

PS  It is amazing to me how he resembles Woody Allen, in a good way.  I hope that Woody uses Allen some day in a film.

http://www.huffingtonpost.com/alan-dershowitz/prosecutor-angela-corey-r_b_1571942.html

Our dangerous world: WWIII in Asia and Africa?

Please consider the following website:  http://www.foreignpolicy.com/failed_states_index_2012_interactive

I recall walking around the dusty villages of eastern/coastal Kenya in 1994.  I recall being in Bahrain, Kuwait, UAE, Oman, and being anchored off the coast of Somalia in 1994.  Back then, I sensed a tension, an underlying layer of dissent, fear, and anger in local communities.  During my work and visits over the subsequent 20 years to other places such as the Philippines, Thailand, India, Pakistan, Egypt, and others I can easily imagine and sense a clear potential for class conflict, civil war, and a possible descent into anarchy.  This statement applies in many of the Gulf and Indian Ocean (Africa and Asia) states that I was entering at that time and it remains true today.  These were places that were simmering and seemed ready to pop in 1994, comparable to what I imagine Vietnam, Cambodia, Laos, and other parts of SE Asia were like in the 1950s—and we all know what happened there a few years later.

In 2012, nearly twenty years after my trip to east Africa, south Asia, and southeast Asia when I look at the interactive map and do some reading in the news I am increasingly worried that the simmer has turned to a boil and that the whole of Asia and Africa could implode and spew, followed close behind by North America, South America, and Europe.   Obviously, I don’t sit around on my couch and fret about this every minute, but the underlying sense of inevitable doom seems more and more palpable these days.

On the website above-linked, the interactive map and list reveals to no one’s surprise that our world is in a precarious state, with lots of dangers and so many zones of conflict.  There are no big surprises on the map, except that one could note that almost all of Asia (with the exception of a few states like Japan, South Korea, and UAE are indicated as stable) and a small area of Africa are categorized as “borderline” (S Africa), while the rest of that continent is listed as in danger or already gone into the abyss.  Wouldn’t that vast area constitute 2/3 of the world’s population?  2/3 of the world’s population living in a state of danger or worse?

Of course, there are always pockets of tranquility and bastions of logic, peace, and good will no matter where one goes…even in the “red” zones…but I wonder if this map is foretelling a major meltdown conflict in Asia’s and Africa’s future…an Indian Ocean-based Asia-Africa WWIII?

Lawsuit against LAUSD could shake up how CA evaluates teachers

Poor test results by students?  Blame the teacher!  This is an increasingly common presumption and accusation.  But, blaming the teacher for the ills and failures in student test scores is a fallacy.  To blame teachers when parents are remiss or entirely absent from the quotient is shameful.

SEE: http://capoliticalnews.com/2012/01/20/lawsuit-against-lausd-could-shake-up-how-ca-evaluates-teachers/#comment-66829

I agree that student success with the various tests is an important concern.  But it is overly-simplistic to dump all the blame for poor test results on teachers.  As the previous comment mentions, there is a long term legacy of problems in k-12 education that feed into poor test results, and this blame doesn’t only rest with bad teachers (however “bad” may be construed). Where are parents in this quagmire? In my view, many or perhaps most parents are missing in action–then voicing blame upon teachers for what parents are unable to provide for their own children.

As a teacher, I see parents who are nearly or fully disengaged with student learning at school, expecting the school/teacher to be an all-inclusive magic making problem-solver and baby sitter.  I see parents who think their end of the bargain in free public education can be assigned to someone else and goes no further than dropping the child off at school and then driving away.

Many parents pay lip service to the importance of education and test results but do very little ensure that success can happen.  They have little engagement with the daily work of children, at school or in the daily homework–and certainly not in test preparations.  Learning for children should be a holistic activity with parents, teachers, the school itself and the child involved as one. The problem of poor test results is the also the result of insufficient parental involvement–this is at least as much of an explanation as poor teaching.

Parents—get more involved in the daily work of your child and you will surely see improved test results in the classroom!

A Romney-Palin ticket? Tell me it’s true!

A Romney-Palin ticket in ’12?  Sarah Palin for VP?  I couldn’t stop laughing, in between my gasps for air, when I read this article.  Yeah baby, bring ‘em on.

 

 

http://news.yahoo.com/sarah-palin-vice-president-again-205900862.html

 

I am all for a Romney-Palin ticket because it is the best and surest possible way to ensure an Obama victory.  It would be mayhem and torture to the mind as the illogic and inanity of both of ‘em would be hitting the fan on an hourly basis.  Those two would be sticking their feet into each other’s mouths over and over again and all Obama would have to do is pull up a chair and watch it play out.  This can’t be good for the country, having such duplicitous air-heads vying for supreme leadership, but it’s true.   I can’t believe that Romney could possibly be so dumb as to accept take the bait and bring Palin on board, or could he?

Is a work of Art (and/or the process of making Art by an Artist) a form of scholarship and scholarly research?

The short response to the question is “yes, sometimes.”  When an artist is able to reflect, articulate, and contextualize their art work, then “yes, work in Art is a a form of scholarship and scholarly research.”  However, wait, not so fast.  It’s not that easy.  The question is either hotly debated or flippantly dismissed.

The depth, scope, and nature of work being done by artists, including those artists who are teaching in academic settings, compel the question to be repeated, albeit somewhat differently and more generally, “what constitutes scholarship and scholarly research?”  Myself, as a teacher, filmmaker, and writer, I advocate for a new paradigm about the scope and nature of scholarship and scholarly research.  In my blog, I plan to explore this question and many other questions concerning creativity, teaching, paradigmatic issues affecting teachers, alternative approaches to learning and expression, and other matters of theoretical and practical importance that are relevant to teachers, artists, students, and academic administrators. It is my intention to write and facilitate a first step in a process of critical analysis, dialogue, and change, not to pontificate with singular, final answers that attempt to end the debate.

In response to the initial question that I have posed–is work in Art a form of scholarship and scholarly research?—I imagine there are scientists and other advocates of convention and status quo in academic settings who are shuddering in horror at the thought that a work of Art could be considered as a form of scholarship and/or scholarly research.  The conventional view considers Art and works of Art as residing in opposition to the priorities of science and scientific research, and in direct contradiction to the scientific method.  The conventional view is that Art and works of Art are emergent from personal, inherently ambiguous, and relatively unscientific roots; and are situated outside and in contrast (in opposition?) to conventional forms of scholarship and scholarly research. The conventional paradigm that dominates higher education settings narrowly insists upon text publication and the verification of results as the only measures of what constitutes scholarship and scholarly research.  Meaningful discussion about Art and works of Art being considered as a form of scholarship will be met with resistance by advocates of convention and the status quo.

Art and works of Art involve the theoretical study and practical application of skills and knowledge in painting, drawing, filmmaking, musicology and musicianship, photography, theater, sculpture, architecture, digital media, printmaking, creative writing in many forms, and many other areas of creative scholarship.  Works of Art that emerge from those areas can reasonably be described as a form of praxis, an integration of theory and practice.

An artistic work is distinct from conventional forms of scholarship and scholarly work (for example, in the sciences) because it does not necessarily follow a pre-determined process nor does it necessarily adhere to expectations about final output.  A work of Art is also not dependant upon verification as a measure of its value.  Art and works of Art will usually prioritize self, in contrast to scholarship and scholarly work that follows the conventions of scientism.  There will inevitably be some folks who may like or understand or value a particular work of Art, and there will certainly be some who may not.

Consensus of opinion and verifiability of the final result are not necessarily prioritized in Art or in work by artists.  A work of Art does emerge from some form of personal inquiry by the artist, and is mostly concerned with the creative application and integration of techniques, self-reflection, and personal knowledge.

Work output in the Arts is done in the pursuit of creative and innovative expression of ideas, emotions, and intentions that cannot be conveyed through conventional or everyday language.

Critical thought and new conceptual notions about alternative forms scholarship and scholarly research are emerging worldwide, throughout many corners of academe, and this action will revitalize, inform, and contribute to greater knowledge and understanding in all fields of study.

If a diverse research environment and holistic paradigm will be encouraged throughout institutions of higher learning, then conventional researchers in the sciences could find themselves to be inspired, informed, and empowered to work more creatively, and perhaps collaboratively, in the pursuit of alternative paths. In this way, innovative or alternative forms of scholarship and scholarly research could emerge and resonate meaningfully, as new works of knowledge.  The initial goal is to establish a confident, respected place for Art and Art-based knowing alongside conventional notions of scholarship and scholarly research, with the inclusion of Art and the making of Art by teachers and other colleagues who co-exist in the ivory towers of academic institutions.